An Ongoing Conversation on Poetry

An Ongoing Conversation on Poetry
Oxford Union Library, Oxford University

Sunday, January 31, 2010

"I NEVER saw a moor,"




A poet I met at Peter Murphy's Writers Getaway in Cape May once said to me that there is no such thing as "writer's block." When I asked him what it was that sometimes makes us stare at the same blank piece of paper (or computer screen), he told me that people who claim to have writer's block are trying to write the final draft on the first try. He was right.

As I look at this page each night, remembering my commitment to myself to write each and every night, and try to think of something profound to say, I think of that poet's advice. And I wonder whether something profound happens to us every day to inspire us. This morning, as I mulled over that question, the answer seemed, all of a sudden, to be obvious. I thought of Emily Dickinson (whose house in Amherst, Mass. is pictured above) and that, in her lifetime, she had only a dozen poems published. Yet, when they went through her room (also above), they found almost eighteen hundred poems, some written on no more than scraps of paper, in a chest. This poetic production came from a women had rarely left her home. And yet, she didn't seem to need to. She never ran out of observations to make about life, love and nature.

I NEVER saw a moor,
I never saw the sea;
Yet know I how the heather looks,
And what a wave must be.


When I thought of her this morning, I realized that we have "profound" moments every day of our lives. A number of my coworkers have said to me "Boy. I'll bet you can't wait until June to retire." My response seems to surprise them every time. "I am not looking at June right now. It will come soon enough. I am looking at today." I am, and since I am looking, I want to see every moment of it. Every sunrise, everybody I meet, every tree, every house, every sunset, every star, every single day and night.

It snowed last night. I have seen snow before hundreds of times, yet last night's snowfall was unique. I was at dinner with friends at The Riverside Cafe in Red Bank, eating a great meal at a table near the window. Across the street, against a brick flood-lit wall, I could see the snow drifting down through that light to the sidewalk below. What a beautiful sight it was as I feasted on baked Brie cheese sitting in a pool of raspberry compote, braised lamb shank, cooked until it fell off the bone, sauteed vegetables and orzata. Great food, great company and a great dinner. And what a beautiful experience.

I think that we sometimes concentrate on what's ahead rather than truly see what is right in front of us. I believe that a poet should be able to see the extraordinary in the ordinary. Miss Emily certainly did.

I never spoke with God,
Nor visited in heaven;
Yet certain am I of the spot
As if the chart were given.
Emily Dickinson (XVII)

Saturday, January 30, 2010

Visit to Verona


I finished writing a brief memoir of my relationship with my aunt, Edith Leon. I am not going to give much of an introduction to this piece, but let it speak for itself. I promised her one day that I would finish it and publish it. Today I have done both.

A VISIT TO VERONA
Christopher Bogart


Over the years that I have been visiting her, my aunt and I have developed certain traditions. Nothing fancy. Just simple traditions. Like the lunch she makes when I arrive in her apartment. Or the walk we take in Verona Park. Dinner at Meile’s or Caldwell Diner or Linda’s Chicken. Most often at Linda’s. We have at times varied this itinerary over the years with shopping trips into Montclair or the Verona Arts and Crafts Fair or Eagle Rock State Park. But mostly, it is lunch in the apartment, a walk in Verona Park, and dinner at Linda’s Chicken. “Chris.” She says with a big grin on her face as if she is hiding a secret like maybe I won the million-dollar lottery. “They have creamed spinach today!” In all honesty, their creamed spinach is delicious. Spiced and creamed just right. And their chicken! Cooked over an open fire until it is crispy and juicy. Their side orders, like the acorn squash or their smashed potatoes, are equally mouth watering. But it isn’t just Linda’s Chicken or Verona Park that bring me up to the mountains far too infrequently. It is my Aunt Edie.

My aunt and I are not even really blood related. She and my Uncle Sey were friends of my father and mother from before I was born. I was born and raised a Catholic, sent to Catholic grammar schools, Catholic high schools and a Catholic college. My aunt Edie is Jewish, from Polish Jewish stock that emigrated here at the turn of the century. But over the years of shared laughter, shared conversation, shared loss and shared joy, she and I have become mishpocheh. Family.

And well she should be. She has been a constant presence in my life and in my memory. Through old black and white pictures, I have a continuum of images of her in my mind of the beautiful young dark-haired woman of my youth, sitting on a blanket in the park, her hair cascading down her back to the wise little elf with the pixie cut of hair the same color in her seventies as the woman in the park of my youth. Her face still retains that same guileless innocence; her eyes, that same twinkle of mischief and mirth. It is as if she has not passed a single day since the first day I met her for the lines of age in her face merely underline the virtues already present and comfortable in her nature. And the awe I have always had of her, the mystery that has surrounded many raven-haired beauties of history, surrounds her still. On the day my father took me for my first haircut as a very little boy, I lifted my head from my tears to see a picture on the calendar hanging on the wall in the barbershop of a raven-haired young woman sitting on a blanket, her long dark tresses flowing over her naked shoulders, her scarlet lips in a pout. “Look!” I cried out with glee, pointing to the calendar on the wall. “Aunt Edie!”

My aunt is a child of the Great Depression, much like my mother is; and, like all children born during a time when money and jobs were scarce, they learned certain lessons about life. Just not the same lessons. My mother, like other children that had experienced the Depression, came to adulthood swearing that their children would never live the way they had. As a result, my generation struggles with excess weight given us by our parents in an effort to be sure we were never hungry. When my family had company, let’s say four or five visitors, there was food for twenty on the table. I don’t know whether they did it because they could or because they wanted people to believe they could. Whatever the reason, it had the same result- the support of a thriving health and fitness industry from fad diets, great abs, exercise programs and exercise equipment that can be folded up and shoved under the bed when not in use. But that’s not the lesson my aunt learned from the Great Depression.

Frugality. That’s what my aunt learned from the Great Depression. And she learned it the hard way. She grew up in New York City at a time when immigrant families got by on the barest of necessities. She has told me of stuffing cardboard into old shoes to cover the holes in the soles, of wearing two and three summer-weight hand -me-down jackets in snow as a substitute for a winter coat, and of looking at clothing as functional not in a stylistic sense, but as practical necessity. She and her brothers and sisters learned at an early age to become smart shoppers, not by comparing prices to look for the best buys, but when her family was not able to pay their tab at the neighborhood store, of finding different food merchants that did not know them and would offer them the credit that they desperately needed to eat and survive. Toys were whatever discarded items were available. An empty carton or wooden crate. A broken and discarded baby carriage. With a little imagination, these could be transformed into an escape from the mean streets of the city, and the drab and bare existence they represented. It was these ghosts that taught valuable lessons in the frailty of human existence, lessons not soon forgotten.

I was sitting at her kitchen table on one of my most recent visits, watched her make my sandwich. She lay the small leaves of lettuce on the roll as though she was laying a newborn infant into a crib. And as I watched the care in which she handled the very food that we would be devouring in a matter of minutes, I realized the deep respect she had for this necessity of life. It reminded me of one time when she had come to my house for dinner, and was watching me clean up after the meal. “What are you doing with that?” she asked me.

“With what?” I asked, almost unaware that I was doing anything special.

“With that broccoli.”

What broccoli, I thought. There was only one stalk left in the bowl. “I don’t know.” I responded, somewhat confused. “Throwing it away.”

“Don’t throw it away.” She said, gently but firmly. “There are people in the world that would kill for that food.”

I looked down at the stalk of broccoli dumbly. “What am I going to do with it?”

”Put it in a little plastic wrap and put it in the fridge.”

“For what?” I asked, still not getting it.

“You can put it salad tomorrow for lunch. With a little oil and vinegar.” I looked into her face, and saw an expression that was trying to convince me of the reasonableness of the suggestion. And of its importance.

And as I watched her in her own kitchen spreading the tuna salad on the lettuce, I was further reminded of the importance that food had in her early life. And to the lengths she had to go to insure its continued presence to her family in her childhood. She placed two slices of tomato on each sandwich, and then wrapped the half tomato remaining in plastic wrap and placed it in the fridge. The images of childhood can be a great consolation in adulthood; and the ghosts of childhood can teach frightening and unforgettable lessons.

And while my aunt still values the importance of frugality as a virtue, she also values generosity as a virtue of equal importance. The juxtaposition of these two virtues have sometimes confused me, but always taught me how complex and yet wonderful her character is, and how gracefully she wears it. I called her one August day a few years ago, and, in conversation, mentioned that I had been at the beach and found a ten-dollar bill on the sand at the water’s edge, snagged in a piece of old fishing netting.

“Put it in the bank.” She stated unequivocally.

“Why?” I asked out of curiosity. Sometimes I wonder whether I ever learn.

“Found money makes money. Put it in the bank and it will make you more money.”

What did I have to loose? So the following day I went to the bank and deposited the faded ten-dollar bill in my savings account. The following afternoon when the mail arrived, I noticed a card from my aunt. Inside it read, “Thinking of you. Love, Aunt Edie.” And in the card was a check for one thousand dollars.

I called my aunt. “What’s this all about?” I asked her.

“Uncle Sey and I were talking and we decided that we’d like to give you some money so that you don’t have to wait for us to die to enjoy it. This way we’ll be alive to see you enjoy it.”

“That’s not necessary.” I said, a little embarrassed by the generosity of the gift.
“I know it’s not necessary.” Was her quick response. “It’s something we wanted to do. That’s all.”

“OK.” I said contritely. “Thank you.”

“Your welcome.” She responded simply. There was a brief moment of silence as I tried to think of something more original to say. But she beat me to the punch.
“See. I told you found money makes money.” I could almost see the twinkle in her eye over the phone lines. She had gotten me. “Put it in the bank.” She added. “It will be part of the down payment on a house one day.”

She was right. That money was the beginning of a drive to save and bank over the following two years. And in August, just two years after I had found that ten-dollar bill, I bought my first house.

“You ready to go?” my aunt asks me as she rinses the lunch dishes in the kitchen sink.

“Sure.” I respond, and we leave the apartment and walk down Bloomfield Avenue toward Verona Park. “I want to stop at the Luncheonette and get a lottery ticket.” She comments to me as we stride down Bloomfield Avenue, her two steps to every one of mine. Sometimes we stop at the Pharmacy to see what new sales they are having. And sometimes we walk to her bank if she needs to do some quick transaction. The first day we went to the bank on one of our walks, she was just recovering from one of the many illnesses that my aunt has had to cope with in her life. I was concerned about her ability to handle quite such a long walk so soon into her recovery. I didn’t really know how to slip into the conversation that maybe driving to the bank might be in her better interests.

“Where is this bank?” I asked as subtly as I can.

“Don’t worry.” She responded. “You’ll recognize it by the flag that flies out in front of it.”

“Flag?” I asked, not sure of what she was trying to tell me.

“Yeah. Flag.” She said, with a slight touch of annoyance. “The one with the
money sign on it.” OK. Now you don’t have to hit me with a bat. She’s up to the walk and my best strategy is to drop it. The flag with the money sign. Good one, Aunt Edie.

But today we are not going to deposit money. Today we have a mission. Today we are going to spend it. “I didn’t know you bought lottery tickets.” I commented to her, a little surprised that my aunt would participate in anything that akin to gambling. And that I was the representative from the country of Frugality.

“It’s 92 million dollars today.” She says.

“You know,” I comment, trying subtly to inject a note of fiscal reality into the conversation, and finding it hard to believe that I am the one doing it. “They say that you have a better chance of being struck by lightening than by winning the lottery.”

“Never know unless you try.” She says as we enter the store. “You buy one too. It’s only a dollar.” We purchase our tickets and are filling them out on top of a pile of newspapers.

“You have a system?” I ask.

“Sure.” She replies. “Ickel-michel.”

Now I know about the famous ickel-michel. I’ve seen my aunt find us parking spaces, good bargains, and good seats in the park all by ickel-mickel. But now she was going to use it to win a large sum of money.

I used to think when I heard her use the expression that it was Yiddish. My aunt was forever trying to teach me Yiddish. Her conversations were peppered with it. Sometimes to listen to her talk she sounded as if she were speaking “y’english”. So when I first heard this expression, I ran to my copy of Rosten’s The Joys of Yiddish. No luck. So I called her on the phone. “Aunt Edie. I can’t find ickel-mickel in the Yiddish book.”

“That’s because it’s not Yiddish.”

“What is it?” I ask curiously.

“Nothing. Its like Snickelfritz und Frautzen. I made it up.”

“You made up Snickelfritz and Frautzen!” I exclaimed incredulously. Now I remember my Uncle Sey telling me once that his family belonged to a Native American tribe. The Shmedrick Indians. That was funny. My Uncle Sey had a dry wit that never failed to hit the mark. He explained to me once that when he died, that he would be buried in the family plot in the Jewish cemetery in Brooklyn. “You know.” He told me, “your aunt is not going to be with me.” Surprised, I asked where she was going to be buried. “Your aunt wants to be cremated, and her ashes spread over Long Pond Lake. I am still going to have her name engraved next to mine on the tombstone. But instead of her dates below her name, I am just going to put nickt du.” Not here. That was my uncle’s sense of humor. But that the steadfast Snickelfritz and the loyal but slightly insane Frautzen were made up was just too much to believe. My aunt used to come over to our home in Canarsie when I was a boy of four and babysat when my parents went out. I used to look forward to those times for days in advance. She would bring me a little cardboard box that looked not unlike a little valise full of Anne Morris fruit lollypops. We would sit on the couch with the yellow slipcovers adorned with large rose colored floral prints, and she would regale me with stories of the adventures of Snickelfritz and Frautzen. I had always thought they were real, and that if I could slip into their world, what larks we would have.

“So you are going to use ickel-mickel.” I responded looking over at her.

“Sure. Aren’t you?”

“Of course.” I responded with a smile, and we gave the man at the counter our tickets and our money and left the store.

“What are you going to do with the money if you win?” she asked, like it was a sure thing.

“I am going to send you back to visit Israel.”

“Oh no.” she replied. “I can’t do that now. Maybe another time.” And we strolled across the street and into Verona Park.

We spent that afternoon, as we had on every visit, talking of the latest news of friends and relatives, remembering stories from our shared past, and talking about the future, mostly mine. We spoke of the alien face that appeared my magic on the bottom of an old frying pan, or one of her “past lives” as a young Chinese girl in a country town in China. There was a certain feeling of safety and predictability about her life. And like a huge bubble, one in which she gathered everyone that was near her. And we felt safe, warm and loved just being near her. And her future seemed to be as preordained as the continuous stream of todays she lived every day. She liked her life, and those of us who are lucky enough to share a small part of it with her, like it too.

Later, we went to Linda’s Chicken for dinner. They had creamed spinach.

Friday, January 29, 2010

They were once new too ...


I was standing outside in the late fall last year, and was looking at the dead and dying vegetation in front of me. Potential. I guess that's what struck me most. Everything once had its day. This field of weeds that were facing the frost with sad determination. But with resignation. And, as it always is when I look closely at nature, I was struck with the similarities we have with the rest of nature. And how much a part of it we are.


They Were Once New Too
Christopher Bogart

They were once new too,
These high boys of the corn,
Their green shoots full
Of the warmth of a new summer sun.

They waved then too
With warm wind willing,
Flirting in their callow ways, their stays
Were brief, transparent,

Transient lovers of the earth, these
Musky brothers, cavorting in summer sheaves.
Swaggering through morn, staggered in the fields,
Full of their own promise and the ever gentle warmth,

Their close breath borne on the late summer wind,
A faint whisper in the ears, they bear
A hot exhale filled with their fears,
Their moisture running, drained to barren ground.

The sound of their short climactic reigns
Pound the slowly darkening, cumulus sky.
They live the last of summer’s ecstasy, only
To die in the dim light of autumn’s brown eyes.

Thursday, January 28, 2010

Damned Sand


As I have mentioned a number of times before, I have been teaching for a lot of years. And, during that time, I have seen a good number of my students become successful, get married, have children and lead good lives. I have, unfortunately, lost a number of my former students in a variety of ways, mostly in automobile accidents. I have also seen a number of my students go into the military. They join to serve their country; and,in the process, grow up. However, some have returned from active duty scarred by what they have seen and the nightmares it gives them. I am proud of them for their service to their country, and have tried to help them through the difficult process of finding peace with their war experiences. It is to all of these young men and women and their service to their country that I dedicate this poem. It's story is the story of one of them.

Damned Sand
Christopher Bogart

He sat right next to me in the diner booth.
Not the boy I once taught,
But the man,
The soldier,
Back from Iraq -
But only on leave.

Across from us sat his wife,
And two year old daughter
In a pink top with two little pink barrettes
Tied in her curly brown hair.

She had to use the bathroom, she whispered to Mommy.
“Excuse me.” His wife smiled painfully,
As she slid her daughter, and his, across the smooth vinyl seat to the aisle.

When they left, we sat for a while, in silence.

“Excuse me.” He said suddenly in a whisper,
And he slid to the edge of the vinyl seat to face the aisle.
Frantically, he pulled his sneaker off and tapped it on the floor,
Again and again.
“Damn sand!” he muttered,
As he tried to empty
An empty shoe.

It was the sand that stung his tanned cheeks,
Tiny arrows that whipped him in the wind,
As he advanced under the cover of their fire,
The dull thud of artillery pounding the shelled-out town,
Sending mushrooms of thick black smoke
Into the hot dry air.

Ears ringing,
Sand stinging,
The little black dots,
Like ants pouring out of an anthill,
Advanced.

As they approached,
On the ground ahead
Among the rubble,
He saw the figure
Of a baby doll,
Scorched and charred,
On her hands and knees
As if she were trying
With all of her might,
To crawl to the open plain of sand,
And safety.

He approached the charred form with sadness,
His thoughts drifting back on the west wind
To his own daughter,
Distant now
But never far away.

This could be her baby doll,
He thought as he approached the form.
This could be…

But it was not her baby doll,
Nor was it any baby doll
Of any other child…

Salt droplets …
Sweat?
Tears?
… Ran down his cheeks
Only to evaporate in the hot dry sand.

Much later,
As I pulled out of the diner’s parking lot,
I could still see
In my rear view mirror
His wife and daughter sitting silently in the car.
He stood outside,
With one hand on the hood,
Banging his sneaker against the bumper,
Again and again,
In a useless effort to empty it
Of that damned sand.

Wednesday, January 27, 2010

Film Inspiration


I didn't get home until six tonight. I have been helping a nineteen year old gang member pass English so that he will be able to graduate this June. He has told me that he knows that without a high school diploma, he stands almost no chance at a productive adult life. This young man has been is a gang since his early adolescence, when he was abandoned to the streets, and his body sports a few knife wounds and a bullet wound. I can only guess what wounds, if they could be inspected, scar his heart. He shows up every afternoon at dismissal. He has to come back from vocational school out of town to meet me. And yet he has done so, every day, and right on time. His sad eyes wince slightly when he talks about his past, and when he tells me that he is too afraid to leave the gang, the only group of people, however dysfunctional, that have been a real family to him. I have heard this story again and again over a forty two year teaching career. The wrinkles the wince creates seems to say "It doesn't matter." "It's not important." The hurt in his eyes tell a different story. His eyes don't lie.

In 1961, the movie musical West Side Story was released into the movie theatres. While the inspiration for the story was Shakespeare's play, Romeo and Juliet, it was inspired by the murder of Michael Farmer, a crippled teen, in New York City. He was stabbed sixty-seven times. He was in the wrong place at the wrong time. It was a gang killing. He was a Balkan, an Anglo gang, killed by the Dragons, a Latino gang. These gangs were the prototypes of the Sharks and the Jets in West Side Story. I saw the movie in the summer of 1962. I was sixteen years old, and almost every one of my adolescent friends saw it. It was the talk of every teen party that summer. Some of my friends thought the gang bond "cool." Some loved the dancing and tough attitude. I, alone among them all, wondered how I could work with these troubled teens and save them from themselves. An odd reaction from a teen whose parents expected him to be a lawyer.

I entered St. Peter's College in Jersey City at the age of seventeen. Two months after I entered college, President John Fitzgerald Kennedy was assassinated in Dallas, Texas. Three days later, his assassin was assassinated. By the time I was twenty, I was looking for summer work between school terms, and found a job in the Anti-Poverty Unit of the New York City Housing Authority. I worked there for three summers. This unit was responsible for hiring teens to keep them out of gangs and off the street. Over those three years, I worked with a number of former gang members, including some of the Dragons who killed Michael Farmer. I faced gang violence and saw drug death on project rooftops. I was hooked. So it was no surprise that in the spring of my senior year, instead of going to law school, I decided to teach.

While the first fifteen years of my career were spent in private school, far from the gangs of New York, I spent my summers working with "suburban gangs," gang wanna be's who didn't die in gang violence, but in automobiles in drinking and driving accidents. But the M.O was the same. No one cared for them. They didn't care for themselves either. When I worked in NYC in the '60's I learned quickly that I cared. I had cared since I first saw that movie, and was troubled by the pain I saw on the screen, immortalized in the song from the movie, "Officer Krupke."

And forty-two years later, I still care. So tomorrow, I will come back from an all-day meeting I must attend and sit down with my gang member, and help him get that diploma. And I will care for him, until he learns how to care for himself.

Tuesday, January 26, 2010

"I look at clouds from both sides now."


I have always been in awe of clouds. Ever since I was a child, I would look up to the sky and see them there, suspended in mid-air above me. And I wondered what they were, why they were there and how they could be so very beautiful. They were so big, so magnificent. Each different. No one like the other. They were the leviathans of the deep blue sky, moving ever so slowly across it like animals grazing across an open plain. And in such variety. There were huge mountains of white, thin strips of pink, and long lines of orange and grey.

When I was fifteen years old, I was in the seminary, studying to be a Brother of the Sacred Heart. It was a beautiful, still summer evening, and we had gone to the chapel after dinner for evening prayers. As we recited the office in unison, I looked to my left out an open stained-glass window. What I saw there, in the wake of the setting sun, appeared to me to be miraculous, a spiritual experience. I went back to study hall later and wrote the following poem.

Summer Evening at Sacred Heart
Christopher Bogart

Among the pink, swift flowing clouds,
Among their high, full shining domes,
There lies a God among those clouds,
Where angels make their journey home.


It wasn't until a few years later that I found out that these celestial objects that had me in such thrall were no more than frozen vapor.

A cloud is a visible mass of droplets, in other words, little drops of water or frozen crystals suspended in the atmosphere above the surface of the Earth or another planetary body.
From Wikipedia, the free encyclopedia

In the succeeding years, when I looked up to the sky and saw clouds, I still stared with awe, but also with a certain disappointment. They were not the objects of inspiration I had once thought they were. Now they were just elements of atmosphere. Yet, I never lost my love of looking at them. I recognized that they were still sources of inspiration for me. And I wondered how I would reconcile factual knowledge with spiritual inspiration. After all, there were other elements of my life that, while purely physical, were also heartwarming and inspiring. A smile, a hug, an intimate moment in the dark. What were these? After all, the human body is mostly water!

The human body's chemical composition consists of a variety of elements and compounds. By mass, human cells consist of 65–90% water (H2O), and a significant portion is composed of carbon-containing organic molecules. Oxygen therefore contributes a majority of a human body's mass, followed by carbon. 99% of the mass of the human body is made up of the six elements oxygen, carbon, hydrogen, nitrogen, calcium, and phosphorus.
From Wikipedia, the free encyclopedia

What had I been hugging? A big pool of water, with assorted elements? It certainly never felt that way. I felt warmth, joy and a feeling of security. The same feelings I have always felt looking up to the sky to see those beautiful masses of water droplets. Maybe, I thought, it doesn't matter what science tells me things are made of. That I have knowledge of their composition is no reason to reject the inspiration I have always felt in experiencing them.

So, at each sunrise, in the cool of each afternoon, whether summer, fall, winter or spring, and at each sunset, I look up to the sky now, without guilt or naivety, and simply allow myself to enjoy what I have always enjoyed. I accept the inspiration.

Heat Lightning
Christopher Bogart

“Raindrops on roses and
Whiskers on kittens…”
Leave me stale,
Fail to move me
At all.

Yet I fall into wonder
At the rumble of thunder
When it lurks from its lair
In the dark lonely hills.

My eyes flicker brightly
At the flash of heat lightning
As it streaks ‘cross
The clear summer night.

My dreams float up high
On impossible whiteness,
On the softness
Of starchy white clouds.

My mind fairly dives
Through deep royal blue
With the chill
Of the late autumn day.

Cold sweeps ‘cross my skin
Pulling me to a kinship,
And the promise of snow
In the slate winter sky.

It’s the slam
Of the thought
Of my great
Insignificance
That envelopes
My nature
In a oneness
With Nature
And the crashing
Reality
Of just
Who I am.

Monday, January 25, 2010

Flat Baroque


I know that I promised that I would write each night and post my writing on the blog. However, I really could not think of anything original to write about tonight. So I am, at least to the letter of the law, writing and posting. What I am writing is this brief introduction to an event in musical history that occurred over two hundred and fifty years ago. It was not so funny at the time, I would imagine, but it brings a smile to my face now whenever I think about it. I wrote a sonnet about it a few years ago, and have read it often in public readings. For those of you that are unfamiliar with the event, I have included a brief abstract from Wikipedia Online Encyclopedia. Of the twenty-five sonnets that I have written so far, it is the only humorous sonnet. I hope it brings a smile to your face as well.

Music for the Royal Fireworks is a group of five pieces for orchestra composed by George Frederick Handel in 1749. He was asked by King George II to write the music because the king wanted some music and fireworks to celebrate the Treaty of Aix-la-Chapelle. This was an agreement between a lot of European countries to end the war they had been fighting.
The king wanted the celebrations to take place in Green Park in London. He wanted the orchestra to have lots of military instruments such as trumpets and drums and “hoped there would be no violins”! He wanted the orchestra to have a rehearsal in Vauxhall Gardens to which the public would be able to go. Handel was not very happy with these arrangements, but in the end he agreed.
The rehearsal in Vauxhall Gardens took place on 21 April. This was just for the music, there were no fireworks. There were 12,000 people in the audience. The huge crowds caused a three hour traffic jam on London Bridge. The tickets for entrance cost 2s 6d (two shillings and sixpence, worth 12 ½p in modern money).
Six days later the real performance took place in Green Park. The orchestra played in a building which had been specially made. The music was played while the fireworks went off. Unfortunately there was a disaster. The building caught fire when a huge bas relief of the king fell down. However, no one was hurt.


From Wikipedia, the free encyclopedia


Sonnet 14
Christopher Bogart

When German George told George to write some tunes
To orchestrate his fountains’ bubbling springs,
Young Handel raced against the clock and soon
Had twenty little opuses to bring.
‘Twas then the King gave him a second task –
To orchestrate his pyrotechnic show.
Again young Handel did all that was asked,
Producing pompous tunes played in a row.
But on the day young George discharged his charge,
While players tuned their instruments in sync,
A pyrotechnic renegade hit barge,
Dumping flutes, horns and players in the drink.
The players and their instruments were soaked,
Unable to play on what was now baroque.